
Bach had included these four pieces in Part III of the Clavierübung (1739), as this print chiefly contained works for organ (21 chorale preludes on Catechism melodies and other hymns); moreover, a spiritual-religious dimension has often been sought for the “Four Duets”. Indeed, they already evoke the raising of Bach’s late works, such as “Das Musikalische Opfer” and “The Art of Fugue”; to a spiritual level.
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