
Begins by tracing the prop’s curious but unacknowledged role in film theory, before proceeding to a series of theoretical speculations and close readings that bring the prop into focus. Gorfinkel and Rhodes argue that the prop is nothing less than a condensation of how labor, subjection, value, and instrumentality underwrite the very conditions of cinema.
Maße: 18.0 x12.7 x1.5 cm
Sortiert nach Gesamtpreis inkl. Versand, sofern verfügbar.
Weitere Werke desselben Verfassers.
Werke aus verwandten Genres.